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Do want more effects than power or the other way around?
line 6 is great if you're looking "everything in one package" kinda amp... it's not brilliant in anything but it does pretty good for putting everything in one box. So I'd say line 6 makes ideal practise amps eventhough 99% of you will disagree.marshall dsl400 is also awesome practise amp and you can definetly get those UYI tones out of it at least if you get a overdrive and equalizer.
Dude, a 40watt valve amp is not a practice amp unless you practice in Madison Square Garden.DSL overdriven tone is nice though, much better than the TSL. if they did a 10 watt version of it or something then it'd probably be perfect.And yeah, I'd be one of the people naysaying the Line 6 idea, although I guess if having more tonal options available is more important to you than the all out quality of the tone then maybe it would be a better option.
I wouldn't want anyone fucking in my yard
I have a Roland Cube 30, think it cost me about £160 four years ago and it's the only amp I've had aside from a 15 watt marshall which was infinitely inferior. It has some basic effects such as Reverb / Delay, Chorus, Phaser, Flanger, Tremolo and you can set the amount of each of them just as you would adjust the volume. It has a lush clean tone as I mainly practice and write with a clean tone but it has a fairly meaty, cutting sounding distortion which I love.Actually, it may not have been £160, that mat have just been the Cube 60 I was looking at. Can't remember